Professional Photography and
Digital Pigment Printing Services
As a natural extension of my own photographic and printing work, I offer these same services to others. Since 2001, it has been an enjoyable priviledge to work collaboratively with painters, printmakers, sculptors, photographers and others in the production and reproduction of their work.
Services I offer are:
Digital pigment printing on fine papers (including uncoated fine art papers), canvas ,and synthetic papers using Epson P9000, a 44" wide digital pigment printer with Epson HDR
pigments
High and low resolution photography of two and
three dimensional artwork, reflective scanning
Color correction, editing and management of
digital files
Design and outsourced printing of catalogs,
postcards, posters and flyers
Amina Ahmed, Stone and Circles, digital collage on Moab Entrada paper,
approximately 40"x55" Scans of drawings and painting were layered and
blended in collaboration with the artist.
Elizabeth Harington, after Bach's Fugue #8 in E Minor, expanded etching, 20"x 30"
on Rives BFK paper, 2005 a small cropped section of an etching was scanned and
printed large, revealing the latent distressed markings and paper fibers.
Jessica Lenard, Barber, from the original monoprint on buff paper,
printed on uncoated Arches Cover paper. Both the image and the
buff paper color have been faithfully reproduced, giving the copy
the uncanny look and feel of the original.
Tim Daly, Southwest View from Witpenn Bridge, digital pigment on Moab Entrada eggshell surface
fine art paper, 24"x48" reproduction of original painting, acrylic on canvas 500 reproductions of
16 different Daly paintings are on permanent display at the Heldrich Hotel in New Brunswick, N J.
The Metropolitan Museum of Art acquired the original monoprint.
Karen Kemball, Figures Walking, hybrid color/bw photograph printed on Rives BFK paper,
variable size.
square. It was photographed at very high resolution and stretched to print long.
entire 4-wall exhibit Awl and the Gift of String at Caelum
Gallery in Chelsea, New York City. When folded, this
print becomes an accordion fold book. Edward photographed
the exhibit as a panorama, designed and printed the body of
the book. Maggie has added the cover (not shown).